Contemporary Music
-15%
portes grátis
Contemporary Music
Theoretical and Philosophical Perspectives
Deliege, Irene; Paddison, Max
Taylor & Francis Ltd
09/2010
408
Dura
Inglês
9780754604976
15 a 20 dias
884
Descrição não disponível.
IntroductionContemporary Music: Theory, Aesthetics, Critical Theory; I: Theoretical Perspectives and Retrospectives; 1: The Principles of Music and the Rationalization of Theory 1; 2: Atonal Harmony: From Set to Scale; 3: In Search of Lost Harmony 1; 4: Against a Theory of Musical (New) Complexity 1; 5: Heterogeneity: Or, on the Choice of Being Omnivorous; 6: Varese, Serialism and the Acoustic Metaphor; 7: 'I Open and Close'? 1; 8: A Period of Confrontation: The Post-Webern Years 1; II: Philosophical Critiques and Speculations After Adorno; 9: A Philosophy of Totality; 10: Possibilities for a Work-Immanent Contemporary Musical Logic; 11: Postmodernism and the Survival of the Avant-garde; 12: Material Constraints: Adorno, Benjamin, Arendt; 13: Towards an Aesthetics of Risk; 14: Music and Social Relations: Towards a Theory of Mediation; III: Creative Orientations; 15: Music, Ambiguity, Buddhism: A Composer's Perspective; 16: Artistic Orientations, Aesthetic Concepts, and the Limits of Explanation: An Interview with Pierre Boulez 1; 17: Failed Time, Successful Time, Shadowtime: An Interview with Brian Ferneyhough; 18: Sound Structures, Transformations, and Broken Magic:; 19: Hunting and Forms: An Interview with Wolfgang Rihm; Postlude:Helmut Lachenmann, Wolfgang Rihm and the Austro-German Tradition
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
brian;ferneyhough;gesammelte;schriften;suhrkamp;verlag;pierre;boulez;string;quartet;Young Man;Cellular Automata;Die Lehre Von Den Tonempfindungen;Philosophie Der Neuen Musik;Beethoven Piano Sonata Op;Chopin;Webern Bagatelle;Brian Ferneyhough;Wolfgang Rihm;Societal Modernization;Pierre Boulez;Opus Contra Naturam;Natural Harmonic Series;Helmut Lachenmann;Salto Mortale;Tenor Trombone;Henri Pousseur;Atonal Harmony;Sketch Blocks;Pitch Classes;Geshe Kelsang;Water Falling;Ill Fate;Le Marteau Sans;Ulrich Mosch
IntroductionContemporary Music: Theory, Aesthetics, Critical Theory; I: Theoretical Perspectives and Retrospectives; 1: The Principles of Music and the Rationalization of Theory 1; 2: Atonal Harmony: From Set to Scale; 3: In Search of Lost Harmony 1; 4: Against a Theory of Musical (New) Complexity 1; 5: Heterogeneity: Or, on the Choice of Being Omnivorous; 6: Varese, Serialism and the Acoustic Metaphor; 7: 'I Open and Close'? 1; 8: A Period of Confrontation: The Post-Webern Years 1; II: Philosophical Critiques and Speculations After Adorno; 9: A Philosophy of Totality; 10: Possibilities for a Work-Immanent Contemporary Musical Logic; 11: Postmodernism and the Survival of the Avant-garde; 12: Material Constraints: Adorno, Benjamin, Arendt; 13: Towards an Aesthetics of Risk; 14: Music and Social Relations: Towards a Theory of Mediation; III: Creative Orientations; 15: Music, Ambiguity, Buddhism: A Composer's Perspective; 16: Artistic Orientations, Aesthetic Concepts, and the Limits of Explanation: An Interview with Pierre Boulez 1; 17: Failed Time, Successful Time, Shadowtime: An Interview with Brian Ferneyhough; 18: Sound Structures, Transformations, and Broken Magic:; 19: Hunting and Forms: An Interview with Wolfgang Rihm; Postlude:Helmut Lachenmann, Wolfgang Rihm and the Austro-German Tradition
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
brian;ferneyhough;gesammelte;schriften;suhrkamp;verlag;pierre;boulez;string;quartet;Young Man;Cellular Automata;Die Lehre Von Den Tonempfindungen;Philosophie Der Neuen Musik;Beethoven Piano Sonata Op;Chopin;Webern Bagatelle;Brian Ferneyhough;Wolfgang Rihm;Societal Modernization;Pierre Boulez;Opus Contra Naturam;Natural Harmonic Series;Helmut Lachenmann;Salto Mortale;Tenor Trombone;Henri Pousseur;Atonal Harmony;Sketch Blocks;Pitch Classes;Geshe Kelsang;Water Falling;Ill Fate;Le Marteau Sans;Ulrich Mosch
