Devotional Music in the Iberian World, 1450-1800
-15%
portes grátis
Devotional Music in the Iberian World, 1450-1800
The Villancico and Related Genres
;
Taylor & Francis Ltd
09/2007
512
Dura
Inglês
9780754658412
15 a 20 dias
Descrição não disponível.
Contents: Preface; Introduction, Tess Knighton and A lvaro Torrente; Waving ensaladas, Pepe Rey; Song migrations: the case of AdorA!moste, SeA+/-or, Tess Knighton; The villancico in the works of early Castilian playwrights (with a note on the function and performance of the musical parts), Alberto del RA o; Function and liturgical context of the villancico in Salamanca Cathedral, A lvaro Torrente; 'The third villancico was a motet': the villancico and related genres, Andrea Bombi; The villancico as music of state in 17th-century Spain, Pablo-L. RodrA guez; Religiosity, power and aspects of social representation in the villancicos of the Portuguese Royal Chapel, Rui Cabral Lopes; 'Music charms the senses...': devotional music in the Triunfos festivos of San Gines, Madrid, 1656, Janet Hathaway; A literary and typological study of the late 17th-century villancico, Alain Begue; Pastorelas and the pastoral tradition in 18th-century Spanish villancicos, Pilar Ramos LA(3)pez; The noA"l A grand chA"ur of south-western France and the Iberian villancico: towards a comparison, BenoA (R)t Michel; De rosas cercada: music by Francisco de la Huerta for the nuns of Santa Ana de A vila (1767-78), MarA a Gembero UstA!rroz; Historical and literary vestiges of the villancico in the early modern Philippines, David Irving; The 'ethnic villancico' and racial politics in 17th-century Mexico, Geoffrey Baker; The popular, the sacred, the colonial and the local: the performance of identities in the villancicos from Sucre (Bolivia), Bernardo Illari; Bibliography; Index.
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Contents: Preface; Introduction, Tess Knighton and A lvaro Torrente; Waving ensaladas, Pepe Rey; Song migrations: the case of AdorA!moste, SeA+/-or, Tess Knighton; The villancico in the works of early Castilian playwrights (with a note on the function and performance of the musical parts), Alberto del RA o; Function and liturgical context of the villancico in Salamanca Cathedral, A lvaro Torrente; 'The third villancico was a motet': the villancico and related genres, Andrea Bombi; The villancico as music of state in 17th-century Spain, Pablo-L. RodrA guez; Religiosity, power and aspects of social representation in the villancicos of the Portuguese Royal Chapel, Rui Cabral Lopes; 'Music charms the senses...': devotional music in the Triunfos festivos of San Gines, Madrid, 1656, Janet Hathaway; A literary and typological study of the late 17th-century villancico, Alain Begue; Pastorelas and the pastoral tradition in 18th-century Spanish villancicos, Pilar Ramos LA(3)pez; The noA"l A grand chA"ur of south-western France and the Iberian villancico: towards a comparison, BenoA (R)t Michel; De rosas cercada: music by Francisco de la Huerta for the nuns of Santa Ana de A vila (1767-78), MarA a Gembero UstA!rroz; Historical and literary vestiges of the villancico in the early modern Philippines, David Irving; The 'ethnic villancico' and racial politics in 17th-century Mexico, Geoffrey Baker; The popular, the sacred, the colonial and the local: the performance of identities in the villancicos from Sucre (Bolivia), Bernardo Illari; Bibliography; Index.
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