Early Modern Visual Allegory
-15%
portes grátis
Early Modern Visual Allegory
Embodying Meaning
Rosenthal, Lisa; Baskins, Cristelle
Taylor & Francis Ltd
09/2007
316
Dura
Inglês
9780754657606
15 a 20 dias
Devoted to allegory and personification in art history, this anthology complements literary and cultural studies of allegory. It examines early modern allegorical imagery in light of crucial material, contextual and methodological questions: how are allegories conceived; for whom; and for what purposes?
Contents: Introduction; Making Allegory: Giotto, de Man and the allegorical impulse in Michelangelo, Laura Camille Agoston; The ends of allegory: Winckelmann, rococo and volcanic displacement, Christiane Hertel; Allegories of race: casta paintings and models for theorizing race, Oscar E. VA!zquez. Allegories of Place: Giorgione's Assault: war and rape in renaissance Venice, Paul H.D. Kaplan; Shaping civic personification: Pisa Sforzata, Pisa Salvata, Cristelle Baskins; Political allegories: redesigning Siena's palio and patron saint during the Fascist regime, Medina Lasansky. Allegory and Audience: The Devil's hem: allegorical reading in a 16th-century illustrated life of St Benedict, Evelyn Lincoln; The ideal prince or an allegorical dialogue between the City of Antwerp and the Court of Brussels, Margit ThAfner; The bellona factor: political allegories and the conflicting claims of martial imagery, Jane Kromm; Faveau's Dame Clemence, or personifying romanticism, Erica Naginski. Allegory as Carnal Knowledge: Venus's milk and the temptations of allegory in Otto van Veen's Allegory of Temptation, Lisa Rosenthal; The naked truth? The allegorical frontispiece and woman's ambition in 18th-century France, Mary Sheriff; Savage breast/salvaged breast: allegory, colonization and wet-nursing in Peru, 1532-1825, Carolyn Dean; Index.
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Devoted to allegory and personification in art history, this anthology complements literary and cultural studies of allegory. It examines early modern allegorical imagery in light of crucial material, contextual and methodological questions: how are allegories conceived; for whom; and for what purposes?
Contents: Introduction; Making Allegory: Giotto, de Man and the allegorical impulse in Michelangelo, Laura Camille Agoston; The ends of allegory: Winckelmann, rococo and volcanic displacement, Christiane Hertel; Allegories of race: casta paintings and models for theorizing race, Oscar E. VA!zquez. Allegories of Place: Giorgione's Assault: war and rape in renaissance Venice, Paul H.D. Kaplan; Shaping civic personification: Pisa Sforzata, Pisa Salvata, Cristelle Baskins; Political allegories: redesigning Siena's palio and patron saint during the Fascist regime, Medina Lasansky. Allegory and Audience: The Devil's hem: allegorical reading in a 16th-century illustrated life of St Benedict, Evelyn Lincoln; The ideal prince or an allegorical dialogue between the City of Antwerp and the Court of Brussels, Margit ThAfner; The bellona factor: political allegories and the conflicting claims of martial imagery, Jane Kromm; Faveau's Dame Clemence, or personifying romanticism, Erica Naginski. Allegory as Carnal Knowledge: Venus's milk and the temptations of allegory in Otto van Veen's Allegory of Temptation, Lisa Rosenthal; The naked truth? The allegorical frontispiece and woman's ambition in 18th-century France, Mary Sheriff; Savage breast/salvaged breast: allegory, colonization and wet-nursing in Peru, 1532-1825, Carolyn Dean; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
