From Renaissance to Baroque
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portes grátis
From Renaissance to Baroque
Change in Instruments and Instrumental Music in the Seventeenth Century
Holman, Peter; Wainwright, Jonathan
Taylor & Francis Ltd
07/2005
340
Dura
Inglês
9780754604037
15 a 20 dias
790
Descrição não disponível.
Contents: Preface; Introduction: From 'Renaissance' to 'Baroque'?, Jonathan P. Wainwright; Baptiste's Hautbois: the metamorphosis from Shawm to Hautboy in France, 1620-70, Bruce Haynes; A commentary on the letter by Michel de La Barre concerning the history of musettes and hautboys, Marc Ecochard; The woodwind instruments of Richard Haka (1645/6-1705), Jan Bouterse; Basstals or Curtoons: the search for a transitional Fagott, Graham Lyndon-Jones; The iconographic background to the seventeenth-century recorder, Anthony Rowland-Jones; The Renaissance flute in the 17th century, Nancy Hadden; The flute at Dresden: ramifications for 18th-century woodwind performance in Germany, Mary Oleskiewicz; How did 17th-century English violins really sound?, Peter Trevelyan; The development of French lute style 1600-50, Matthew Spring; The early Air de Cour, the Theorbo, and the Continuo principle in France, Jonathan Le Cocq; From stops organical to stops of variety: the English organ from 1630 to 1730, Dominic Gwynn; Upgrading from consorts to orchestra at the WA1/4rttemberg court, Samantha Owens; From violin band to orchestra, Peter Holman; Organological Gruyere, Jeremy Montagu. Workshop Reports: J.S. Bach's Actus tragicus: 'Gottes Zeit ist die allerbeste Zeit' (BWV 106), Andrew Parrott; The French Baroque orchestra: Lully, Charpentier, Couperin, Graham Sadler. Bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Air De Cour;Andrew Parrott;Basse De Violon;Anthony Rowland-Jones;Vingt Quatre Violons;Bruce Haynes;Syntagma Musicum;Dominic Gwynn;Augustus III;Graham Lyndon-Jones;Harmonie Universelle;Graham Sadler;Seconda Pratica;Jan Bouterse;St Helen Bishopsgate;Jeremy Montagu;Basso Continuo;Jonathan Le Cocq;Flute;Jonathan P. Wainwright;Transverse Flute;Marc Ecochard;Petits Violons;Mary Oleskiewicz;Bass Violin;Matthew Spring;Violin Band;Nancy Hadden;Baker Collection;Peter Holman;Bass Viol;Peter Trevelyan;Marin Mersenne;Samantha Owens;Royale De Musique;Stopped Diapason;Cantus II;Woodwind Makers;Petite Bande;De Poitou;Grand Jeu;Flute Consort
Contents: Preface; Introduction: From 'Renaissance' to 'Baroque'?, Jonathan P. Wainwright; Baptiste's Hautbois: the metamorphosis from Shawm to Hautboy in France, 1620-70, Bruce Haynes; A commentary on the letter by Michel de La Barre concerning the history of musettes and hautboys, Marc Ecochard; The woodwind instruments of Richard Haka (1645/6-1705), Jan Bouterse; Basstals or Curtoons: the search for a transitional Fagott, Graham Lyndon-Jones; The iconographic background to the seventeenth-century recorder, Anthony Rowland-Jones; The Renaissance flute in the 17th century, Nancy Hadden; The flute at Dresden: ramifications for 18th-century woodwind performance in Germany, Mary Oleskiewicz; How did 17th-century English violins really sound?, Peter Trevelyan; The development of French lute style 1600-50, Matthew Spring; The early Air de Cour, the Theorbo, and the Continuo principle in France, Jonathan Le Cocq; From stops organical to stops of variety: the English organ from 1630 to 1730, Dominic Gwynn; Upgrading from consorts to orchestra at the WA1/4rttemberg court, Samantha Owens; From violin band to orchestra, Peter Holman; Organological Gruyere, Jeremy Montagu. Workshop Reports: J.S. Bach's Actus tragicus: 'Gottes Zeit ist die allerbeste Zeit' (BWV 106), Andrew Parrott; The French Baroque orchestra: Lully, Charpentier, Couperin, Graham Sadler. Bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Air De Cour;Andrew Parrott;Basse De Violon;Anthony Rowland-Jones;Vingt Quatre Violons;Bruce Haynes;Syntagma Musicum;Dominic Gwynn;Augustus III;Graham Lyndon-Jones;Harmonie Universelle;Graham Sadler;Seconda Pratica;Jan Bouterse;St Helen Bishopsgate;Jeremy Montagu;Basso Continuo;Jonathan Le Cocq;Flute;Jonathan P. Wainwright;Transverse Flute;Marc Ecochard;Petits Violons;Mary Oleskiewicz;Bass Violin;Matthew Spring;Violin Band;Nancy Hadden;Baker Collection;Peter Holman;Bass Viol;Peter Trevelyan;Marin Mersenne;Samantha Owens;Royale De Musique;Stopped Diapason;Cantus II;Woodwind Makers;Petite Bande;De Poitou;Grand Jeu;Flute Consort
