Heinrich Scheidemann's Keyboard Music

Contents: Introduction. Part One The Sources: Early sources [i]: the WolfenbA1/4ttel autographs; Early sources [ii]: the 'Sweelinck' sources; Middle-period sources [i]: the Zellerfeld tablatures; Middle-period sources [ii]; Late sources: LA1/4neburg, Pelplin and the 'clavier' anthologies; The dates found in the sources. Part Two Chronology: Toccatas and 'free' imitative pieces; Harpsichord variations and dances; Praeambula and praeludiae; Chorale cycles; Chorale fantasias and Magnificat cycles; Intabulations; Scheidemann's development as a keyboard composer. Part Three Special Studies: More on the DA1/4ben tablature and its background; Scheidemann's 'kunstreiche Manuduction auf dem Clavier': fingering in the Scheidemann sources; Ulf Grapenthin: the Catharinen organ during Scheidemann's tenure; Scheidemann in Otterndorf: registration practice; Appendices; Bibliography; Indexes.

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• Instrumentos de teclado
• Música medieval e da Renascença ( desde ~1000 até ~1600 )

Surrexit Pastor Bonus;Jesus Christus Unser Heiland;Lieben Christen Gmein;Unser Heiland;Delphin Strunck;Heinrich Scheidemann;Jacob Praetorius;Chorale Fantasias;Herr Jesu Christ;Vater Unser Im Himmelreich;Terminus Ante Quern;Scheidemann Pieces;Magnificat Cycle;Cantus Firmus;Scheidemann's Music;Wo Gott Der Herr Nicht;Erbarm Dich Mein;Chorale Cycles;Hieronymus Praetorius;Wir Glauben;Matthias Weckmann;Vater Unser;Herr Christ;Vom Himmel Hoch;Chorale Motet