Hollywood Theory, Non-Hollywood Practice

Hollywood Theory, Non-Hollywood Practice

Cinema Soundtracks in the 1980s and 1990s

Davison, Annette

Taylor & Francis Ltd

03/2004

232

Dura

Inglês

9780754605829

15 a 20 dias

495

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Contents: Introduction; Classical Hollywood cinema and scoring; New Hollywood cinema and ('post'-?) classical scoring; Alternatives to classical Hollywood scoring; 'What is the role of the quartet?': the soundtrack to Jean-Luc Godard's Prenom: Carmen; Playing in Jarman's Garden: sound, performance and images of persecution; Music to desire by: the soundtrack to Wim Wenders's Der Himmel A1/4ber Berlin; 'People call me a director, but I really think of myself as a sound-man': David Lynch's Wild at Heart; Epilogue; Bibliography; Discography; Index.
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Classical Scoring Practice;classical;Classical Hollywood Scoring;scoring;God Rest Ye Merry Gentlemen;Vice Versa;Sonic Elements;Playback;Nondiegetic Music;studio;Classical Hollywood Cinema;era;Classical Hollywood Film Score;Classical Hollywood;Hollywood Cinema;Classical Scoring;Classical Film Scores;Scoring Practices;Classical Hollywood Filmmaking;Im Abendrot;Tonal Functional Harmony;Studio Era;Williams's Score;Acousmatic Sound;Angelic Realm;Soundtrack Albums;Rock Music;Real World Sounds;Au Clair De La Lune