Keys to the Drama

Keys to the Drama

Nine Perspectives on Sonata Forms

Sly, Gordon

Taylor & Francis Ltd

09/2009

248

Dura

Inglês

9780754656067

15 a 20 dias

616

Descrição não disponível.
Chapter 1 The Divided Tonic in the First Movement of Beethoven's Op. 132, FrankSamarotto; Chapter 2 Types, Tokens, and Figaro, MatthewShaftel; Chapter 3 Mahler's Third Symphony and the Dismantling of Sonata Form, WilliamMarvin; Chapter 4 Motivic Design and Coherence in the First Movement of Schubert's "Arpeggione" Sonata D. 821, EvanJones; Chapter 5 Reading Mozart's Piano Sonata in D Major (K. 311) First Movement, NeilMinturn; Chapter 6 Design and Structure in Schubert's Sonata Forms, GordonSly; Chapter 7 On Chopin's Fourth Ballade, EdwardLaufer; Chapter 8, AlanGosman; Chapter 9 A-Major Events, BrianAlegant;
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sonata;form;string;quartet;tonic;harmony;augmented;sixth;chord;tonal;Sonata Form;PAC;Schubert's Piano Sonata;Chopin;Movement's Opening Theme;Piano Sonata;Sonata Form Movements;Subdominant Recapitulation;Auxiliary Cadence;Primary Tone;Tonic Harmony;Reversed Recapitulation;Tonal Design;Classical Sonata;Beethoven's Sketches;Common Tone Modulation;Mozart's Piano Sonata;Fourth Ballade;Clarinet Quintet;String Quintet;Medial Caesura;Mozart's Clarinet Quintet;Opening Theme;Aba Form;Tonal Area