Music, Sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Cosi fan tutte
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Music, Sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Cosi fan tutte
Ford, Charles
Taylor & Francis Ltd
05/2012
350
Dura
Inglês
9780754668893
15 a 20 dias
793
Descrição não disponível.
List of Figures and Tables, List of Music Examples, Notes on the Text and Acknowledgements, Part I. Overtures, 1. Introduction, 2. Enlightenment as Negative Freedom, 3. Enlightened Music, Part II. Masculine Music, 4. Music of Enlightened Masculinity, 5. Angry Masculine Music, 6. Libertinage and Musical Libertinage, 7. The Enlightenment's Legitimation of Feelings, 8. Sensitive Masculine Music, Conclusions to Part II: The Differentiation of Masculine Music, Part III. Feminine Music, 9. Music of Enlightened Femininity, 10. Sorrowful Feminine Music, 11. Hysterical Feminine Music, 12. Music of Feminine Moral Frailty, 13. The Musical Ridicule of Female Intentions, 14. Two Maids' and a Peasant Girl's Music, Conclusions to Part III: The Differentiation of Feminine Music, Part IV. Seductions, 15. Simple Musical Seductions, 16. Complex Musical Seduction: Fiordiligi and Ferrando, Part V. Finales, 17. Five Finales, 18. Don Giovanni and the Stone Man, 19. Kant, Sade and Don Giovanni, 20. Cosi fan tutte, Act II Finale, 21. The Futures of the Operas, Bibliography, Music Examples, Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
love;motive;secco;recitative;allegro;assai;descending;arpeggio;sturm;und;Fan Tutte;Mozart;Act Ii Finale;Viennese;Cosi Fan Tutte;Follow;Young Men;Major Aria;Holds;Love Motive;Porgi Amor;Diderot;Wollstonecraft;Soave Sia Il Vento;Beethoven;Vedrai Carino;Secco Recitative;Sospiro;Da Ponte's Libretto;Timeless;Descending Arpeggio;Trio;Da Ponte Operas;Act Iv Finale
List of Figures and Tables, List of Music Examples, Notes on the Text and Acknowledgements, Part I. Overtures, 1. Introduction, 2. Enlightenment as Negative Freedom, 3. Enlightened Music, Part II. Masculine Music, 4. Music of Enlightened Masculinity, 5. Angry Masculine Music, 6. Libertinage and Musical Libertinage, 7. The Enlightenment's Legitimation of Feelings, 8. Sensitive Masculine Music, Conclusions to Part II: The Differentiation of Masculine Music, Part III. Feminine Music, 9. Music of Enlightened Femininity, 10. Sorrowful Feminine Music, 11. Hysterical Feminine Music, 12. Music of Feminine Moral Frailty, 13. The Musical Ridicule of Female Intentions, 14. Two Maids' and a Peasant Girl's Music, Conclusions to Part III: The Differentiation of Feminine Music, Part IV. Seductions, 15. Simple Musical Seductions, 16. Complex Musical Seduction: Fiordiligi and Ferrando, Part V. Finales, 17. Five Finales, 18. Don Giovanni and the Stone Man, 19. Kant, Sade and Don Giovanni, 20. Cosi fan tutte, Act II Finale, 21. The Futures of the Operas, Bibliography, Music Examples, Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
love;motive;secco;recitative;allegro;assai;descending;arpeggio;sturm;und;Fan Tutte;Mozart;Act Ii Finale;Viennese;Cosi Fan Tutte;Follow;Young Men;Major Aria;Holds;Love Motive;Porgi Amor;Diderot;Wollstonecraft;Soave Sia Il Vento;Beethoven;Vedrai Carino;Secco Recitative;Sospiro;Da Ponte's Libretto;Timeless;Descending Arpeggio;Trio;Da Ponte Operas;Act Iv Finale
