Music and the Play of Power in the Middle East, North Africa and Central Asia

Contents: Prelude: power and the play of music, Laudan Nooshin; 'The artist of the people in the battle': Umm Kulthum's concerts for Egypt in political context, Laura Lohman; Abd al-Halim's microphone, Martin Stokes; Mediated Qu'ranic recitation and the contestation of Islam in contemporary Egypt, Michael Frishkopf; Music, politics and nation building in post-Soviet Tajikistan, Federico Spinetti; Music and censorship in Afghanistan, 1973-2003, John Baily; National traditions and illegal religious activities amongst the Uyghurs, Rachel Harris; Jews, women and the power to be heard: charting the early Tunisian ughniyya to the present day, Ruth F. Davis; Music and politics in North Africa, Tony Langlois; Singing against silence: celebrating women and music at the 4th Jasmine festival, Wendy S. DeBano; 'Tomorrow is ours': re-imagining nation, performing youth in the new Iranian pop music, Laudan Nooshin; The power of silent voices: women in the Syrian Jewish musical tradition, Kay Kaufman Shelemay; Bibliography; Discography; Index.

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frame;drum;fundraising;concerts;twelve;muqam;iranian;pop;abd;alhalim;Young Man;Taklimakan Desert;Nass El Ghiwane;Middle East News Agency;Twelve Muqam;Iranian Pop Music;Vice Versa;Maison De La Culture;Syrian Jewish;Syrian Women;Sama Rituals;Abd Al Wahhab;Iron Gates;Zhou Ji;Plucked Lute;Arian's Music;Arian Band;Shrine Festivals;Illegal Religious Activities;Post-1997 Reform Movement;Women's Musical Traditions;Civil Society;Sufi Lodges;Houmt Souk;Xinjiang Uyghur Autonomous Region