Music in Welsh Culture Before 1650
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Music in Welsh Culture Before 1650
A Study of the Principal Sources
Harper, Sally
Taylor & Francis Ltd
04/2007
462
Dura
Inglês
9780754652632
15 a 20 dias
1010
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Contents: Introduction; Part I The Sources and Practice of Medieval Cerdd Dant: Cerdd Dant: a Welsh bardic craft in context; Mastering the bardic crafts: oral and written sources; Harp and crwth in early medieval Wales; The players of Cerdd Dant and their social code; Gathering the documentation of Cerdd Dant; Historical and theoretical sources of Cerdd Dant; The Robert ap Huw manuscript and other Welsh tablature. Part II The Latin Liturgy, its Chant and Embellishment: Sources for the medieval Welsh liturgy: an overview; The early Welsh Clas institutions; Anglo-Norman liturgical reform; Shaping a new liturgy: the adoption of Sarum Use in Wales; Sources with music I: the Penpont Antiphoner; Sources with music II: the Bangor Pontifical; Late medieval evidence I: the institutions; Late medieval evidence II: musical practice. Part III Welsh Music in an English Milieu c.1550-1650: Mirroring England: cultural imitation and infiltration; Domestic and popular music-making I: the context; Domestic and popular music-making II: the repertory; A Welsh translation of John Case's Apologia Musices; The post-Reformation church I: parish and people; The post-Reformation church II: cathedral and household chapel. Appendix of manuscripts; Bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Robert Ap Huw;cerdd;Young Men;dant;AB MS Peniarth;Gruffudd Ap Cynan;AB MS;AB MS 17116B;Cerdd Dant;Cadwedigaeth Cerdd Dannau;Llanbadarn Fawr;Penpont Antiphoner;Cerdd Dannau;Crwth Player;Dafydd Ap Gwilym;Caerwys Eisteddfodau;Lbl MS Add;Philip Ap Rhys;St Asaph;St Winefride;Sir Thomas Myddleton;Bangor Pontifical;St Davids Cathedral;Iolo Goch;Cerdd Dafod;Vicars Choral;Clynnog Fawr
Contents: Introduction; Part I The Sources and Practice of Medieval Cerdd Dant: Cerdd Dant: a Welsh bardic craft in context; Mastering the bardic crafts: oral and written sources; Harp and crwth in early medieval Wales; The players of Cerdd Dant and their social code; Gathering the documentation of Cerdd Dant; Historical and theoretical sources of Cerdd Dant; The Robert ap Huw manuscript and other Welsh tablature. Part II The Latin Liturgy, its Chant and Embellishment: Sources for the medieval Welsh liturgy: an overview; The early Welsh Clas institutions; Anglo-Norman liturgical reform; Shaping a new liturgy: the adoption of Sarum Use in Wales; Sources with music I: the Penpont Antiphoner; Sources with music II: the Bangor Pontifical; Late medieval evidence I: the institutions; Late medieval evidence II: musical practice. Part III Welsh Music in an English Milieu c.1550-1650: Mirroring England: cultural imitation and infiltration; Domestic and popular music-making I: the context; Domestic and popular music-making II: the repertory; A Welsh translation of John Case's Apologia Musices; The post-Reformation church I: parish and people; The post-Reformation church II: cathedral and household chapel. Appendix of manuscripts; Bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Robert Ap Huw;cerdd;Young Men;dant;AB MS Peniarth;Gruffudd Ap Cynan;AB MS;AB MS 17116B;Cerdd Dant;Cadwedigaeth Cerdd Dannau;Llanbadarn Fawr;Penpont Antiphoner;Cerdd Dannau;Crwth Player;Dafydd Ap Gwilym;Caerwys Eisteddfodau;Lbl MS Add;Philip Ap Rhys;St Asaph;St Winefride;Sir Thomas Myddleton;Bangor Pontifical;St Davids Cathedral;Iolo Goch;Cerdd Dafod;Vicars Choral;Clynnog Fawr
