New Perspectives on Marc-Antoine Charpentier
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portes grátis
New Perspectives on Marc-Antoine Charpentier
Thompson, Shirley
Taylor & Francis Ltd
04/2010
414
Dura
Inglês
9780754665793
15 a 20 dias
930
Descrição não disponível.
Contents: Foreword, H. Wiley Hitchcock; Preface; Charting Charpentier's 'worlds' through his Melanges, Patricia M. Ranum; Charpentier's void notation: the Italian background and its implications, Graham Sadler; The descending minor tetrachord in France: an emblem expanded, Lois Rosow; Repentance, piety and praise: sensual imagery and musical depiction in the petits motets of Marc-Antoine Charpentier, C. Jane Gosine; A question of genre: Charpentier's Messe pour Plusieurs Instruments au lieu des Orgues (H513), David Ponsford; Charpentier's music at court: the singers and instrumentalists of the Chapelle Royale, 1663-1683 and beyond, Anthea Smith; Performance practices at the TheActre de Guenegaud and the Comedie-FranA?aise: evidence from Charpentier's Melanges autographes, John S. Powell; Une source peut en cacher une autre': added preludes and instrumental cues in the Melanges, Catherine Cessac; The historical implications of a distinctive scoring: Charpentier's 6-voice motets for Mademoiselle de Guise, Theodora Psychoyou; Observations on Charpentier's compositional process: corrections in the Melanges, Herbert Schneider; Medee within the repertory of the tragedie en musique: intertextual links and the 'posterity' of Charpentier's opera, Benjamin Pintiaux; The nature of fame: reflections on Charpentier's Les Plaisirs de Versailles and Lalande's Les Fontaines de Versailles, Peter Roennfeldt; Charpentier's Motets melA?z de Symphonie: a nephew's tribute, Shirley Thompson; Appendix; Bibliography; Indexes.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Basses De Violon;catherine;Titon Du Tillet;cessac;Plein Jeu;charpentiers;Mademoiselle De Guise;music;Les Arts Florissans;mademoiselle;Madame De Guise;guise;Panis Angelicus;malade;De Violon;imaginaire;Act Iii;french;De Guise;baroque;Catherine Cessac;French Baroque music;Royale De Musique;compositional language;Le Malade Imaginaire;Charpentier's manuscripts;Basse De;Charpentier's Music;Flute;Transverse Flute;Domine Salvum;Treble Viols;Guise Music;Salve Regina;Grands Motets;Le Roy;Mercure Galant;Beatus Vir
Contents: Foreword, H. Wiley Hitchcock; Preface; Charting Charpentier's 'worlds' through his Melanges, Patricia M. Ranum; Charpentier's void notation: the Italian background and its implications, Graham Sadler; The descending minor tetrachord in France: an emblem expanded, Lois Rosow; Repentance, piety and praise: sensual imagery and musical depiction in the petits motets of Marc-Antoine Charpentier, C. Jane Gosine; A question of genre: Charpentier's Messe pour Plusieurs Instruments au lieu des Orgues (H513), David Ponsford; Charpentier's music at court: the singers and instrumentalists of the Chapelle Royale, 1663-1683 and beyond, Anthea Smith; Performance practices at the TheActre de Guenegaud and the Comedie-FranA?aise: evidence from Charpentier's Melanges autographes, John S. Powell; Une source peut en cacher une autre': added preludes and instrumental cues in the Melanges, Catherine Cessac; The historical implications of a distinctive scoring: Charpentier's 6-voice motets for Mademoiselle de Guise, Theodora Psychoyou; Observations on Charpentier's compositional process: corrections in the Melanges, Herbert Schneider; Medee within the repertory of the tragedie en musique: intertextual links and the 'posterity' of Charpentier's opera, Benjamin Pintiaux; The nature of fame: reflections on Charpentier's Les Plaisirs de Versailles and Lalande's Les Fontaines de Versailles, Peter Roennfeldt; Charpentier's Motets melA?z de Symphonie: a nephew's tribute, Shirley Thompson; Appendix; Bibliography; Indexes.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Basses De Violon;catherine;Titon Du Tillet;cessac;Plein Jeu;charpentiers;Mademoiselle De Guise;music;Les Arts Florissans;mademoiselle;Madame De Guise;guise;Panis Angelicus;malade;De Violon;imaginaire;Act Iii;french;De Guise;baroque;Catherine Cessac;French Baroque music;Royale De Musique;compositional language;Le Malade Imaginaire;Charpentier's manuscripts;Basse De;Charpentier's Music;Flute;Transverse Flute;Domine Salvum;Treble Viols;Guise Music;Salve Regina;Grands Motets;Le Roy;Mercure Galant;Beatus Vir
