Patronage and Italian Renaissance Sculpture
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portes grátis
Patronage and Italian Renaissance Sculpture
Christian, Kathleen Wren; Drogin, David J.
Taylor & Francis Ltd
11/2010
286
Dura
Inglês
9780754668428
15 a 20 dias
690
Descrição não disponível.
Contents: Foreword; Introduction: the virtues of the medium: the patronage of sculpture in Renaissance Italy, Kathleen Wren Christian and David J. Drogin; 'There are many sculptors but to Giovanni remain the honors of praise': the rhetoric of Giovanni Pisano's words and images, Francis Ames-Lewis; Professors and princes: patronage of sculpture in the Capella Bentivoglio, Bologna, David J. Drogin; The humanist and the poet: Bernardo Bembo's portrait of Dante, Debra Pincus; Partnerships in commemoration: the patronage and production of the Brusati and Barbo tombs in quattrocento Rome, Shelley E. Zuraw; Donatello and his patrons, David G. Wilkins; Reversing the rules: Michelangelo and the patronage of sculpture, William E. Wallace; Passim: sculptors and sculptural patronage in and beyond Florence in the 15th century, Roger J. Crum; Giambologna's equestrian monument to Cosimo I: the monument makes the memory, Sarah Blake McHam; Pirro Ligorio's Roman fountains and the concept of the antique: investigations of the ancient nymphaeum in cinquecento antiquarian culture, Robert W. Gaston; Selected works cited; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Mino Da Fiesole;Antonio Rossellino;equestrian;Domenico Di Michelino;monuments;Italian Renaissance Sculpture;Kathleen Wren Christian;Pope Paul III;David J. Drogin;Bernardo Rossellino;Francis Ames-Lewis;Artist Patron Relationship;Debra Pincus;Palazzo Della Signoria;Shelley E. Zuraw;Opera Del Duomo;David G. Wilkins;Desiderio Da Settignano;William E. Wallace;Equestrian Monuments;Roger J. Crum;Siena Duomo;Sarah Blake McHam;Antonio Del Pollaiuolo;Robert W. Gaston;Andrea Bregno;Cosmatesque Pavement;Bernardo Bembo;Palazzo Della Ragione;Piazza Della Signoria;Florentine Sculptors;Pisa Baptistery;Duomo Pulpit;Andrea Del Verrocchio;Dante Portrait;Florentine Tuscany;Villa Giulia
Contents: Foreword; Introduction: the virtues of the medium: the patronage of sculpture in Renaissance Italy, Kathleen Wren Christian and David J. Drogin; 'There are many sculptors but to Giovanni remain the honors of praise': the rhetoric of Giovanni Pisano's words and images, Francis Ames-Lewis; Professors and princes: patronage of sculpture in the Capella Bentivoglio, Bologna, David J. Drogin; The humanist and the poet: Bernardo Bembo's portrait of Dante, Debra Pincus; Partnerships in commemoration: the patronage and production of the Brusati and Barbo tombs in quattrocento Rome, Shelley E. Zuraw; Donatello and his patrons, David G. Wilkins; Reversing the rules: Michelangelo and the patronage of sculpture, William E. Wallace; Passim: sculptors and sculptural patronage in and beyond Florence in the 15th century, Roger J. Crum; Giambologna's equestrian monument to Cosimo I: the monument makes the memory, Sarah Blake McHam; Pirro Ligorio's Roman fountains and the concept of the antique: investigations of the ancient nymphaeum in cinquecento antiquarian culture, Robert W. Gaston; Selected works cited; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Mino Da Fiesole;Antonio Rossellino;equestrian;Domenico Di Michelino;monuments;Italian Renaissance Sculpture;Kathleen Wren Christian;Pope Paul III;David J. Drogin;Bernardo Rossellino;Francis Ames-Lewis;Artist Patron Relationship;Debra Pincus;Palazzo Della Signoria;Shelley E. Zuraw;Opera Del Duomo;David G. Wilkins;Desiderio Da Settignano;William E. Wallace;Equestrian Monuments;Roger J. Crum;Siena Duomo;Sarah Blake McHam;Antonio Del Pollaiuolo;Robert W. Gaston;Andrea Bregno;Cosmatesque Pavement;Bernardo Bembo;Palazzo Della Ragione;Piazza Della Signoria;Florentine Sculptors;Pisa Baptistery;Duomo Pulpit;Andrea Del Verrocchio;Dante Portrait;Florentine Tuscany;Villa Giulia
