Patronage and Italian Renaissance Sculpture
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Patronage and Italian Renaissance Sculpture
Christian, Kathleen Wren; Drogin, David J.
Taylor & Francis Ltd
11/2010
286
Dura
Inglês
9780754668428
15 a 20 dias
Addresses the creative and intellectual roles of sculptor and patron. This title surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. It questions the traditional concept of authorship in Italian Renaissance sculpture.
Contents: Foreword; Introduction: the virtues of the medium: the patronage of sculpture in Renaissance Italy, Kathleen Wren Christian and David J. Drogin; 'There are many sculptors but to Giovanni remain the honors of praise': the rhetoric of Giovanni Pisano's words and images, Francis Ames-Lewis; Professors and princes: patronage of sculpture in the Capella Bentivoglio, Bologna, David J. Drogin; The humanist and the poet: Bernardo Bembo's portrait of Dante, Debra Pincus; Partnerships in commemoration: the patronage and production of the Brusati and Barbo tombs in quattrocento Rome, Shelley E. Zuraw; Donatello and his patrons, David G. Wilkins; Reversing the rules: Michelangelo and the patronage of sculpture, William E. Wallace; Passim: sculptors and sculptural patronage in and beyond Florence in the 15th century, Roger J. Crum; Giambologna's equestrian monument to Cosimo I: the monument makes the memory, Sarah Blake McHam; Pirro Ligorio's Roman fountains and the concept of the antique: investigations of the ancient nymphaeum in cinquecento antiquarian culture, Robert W. Gaston; Selected works cited; Index.
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Addresses the creative and intellectual roles of sculptor and patron. This title surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. It questions the traditional concept of authorship in Italian Renaissance sculpture.
Contents: Foreword; Introduction: the virtues of the medium: the patronage of sculpture in Renaissance Italy, Kathleen Wren Christian and David J. Drogin; 'There are many sculptors but to Giovanni remain the honors of praise': the rhetoric of Giovanni Pisano's words and images, Francis Ames-Lewis; Professors and princes: patronage of sculpture in the Capella Bentivoglio, Bologna, David J. Drogin; The humanist and the poet: Bernardo Bembo's portrait of Dante, Debra Pincus; Partnerships in commemoration: the patronage and production of the Brusati and Barbo tombs in quattrocento Rome, Shelley E. Zuraw; Donatello and his patrons, David G. Wilkins; Reversing the rules: Michelangelo and the patronage of sculpture, William E. Wallace; Passim: sculptors and sculptural patronage in and beyond Florence in the 15th century, Roger J. Crum; Giambologna's equestrian monument to Cosimo I: the monument makes the memory, Sarah Blake McHam; Pirro Ligorio's Roman fountains and the concept of the antique: investigations of the ancient nymphaeum in cinquecento antiquarian culture, Robert W. Gaston; Selected works cited; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
