Printed Images in Early Modern Britain
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Printed Images in Early Modern Britain
Essays in Interpretation
Hunter, Michael
Taylor & Francis Ltd
04/2010
396
Dura
Inglês
9780754666547
15 a 20 dias
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Contents: Introduction, Michael Hunter; Part 1 Printed Images and the Reformation: Symbols of conversion: proprieties of the page in Reformation England, Margaret Aston; Censorship and self-censorship in late 16th-century English book illustration, Richard L. Williams; Guides to Godliness from print to plaster, Tara Hamling; 'Like fragments of a shipwreck': printed images and religious antiquarianism in early modern England, Alexandra Walsham. Part 2 Printed Images in Science and Cartography: Page techne: interpreting diagrams in early modern English 'how-to' books, Lori Anne Ferrell; Gesner, Topsell and the purposes of pictures in early modern natural histories, Katherine Acheson; Hollar's prospects and maps of London, Simon Turner; The theory of the impression according to Robert Hooke, Matthew Hunter. Part 3 Printed Images and Politics: The Common Weales Canker Wormes or the Locusts of Both Church and State: emblematic identities in a late Jacobean print, Malcolm Jones; Buckingham engraved: politics, print images and the royal favourite in the 1620s, Alastair Bellany; The Devil's Bloodhound: Roger L'Estrange caricatured, Helen Pierce; Decoding the Leviathan: doing the history of ideas through images 1651-1714, Justin Champion. Part 4 Printed Images and Aspects of Late 17th-Century English Culture: Noble or commercial? The early history of mezzotint in Britain, Ben Thomas; Faithorne, Loggan, Vandrebank and White: the engraved portrait in late 17th-century Britain, David Alexander; 'Paper tapestry' and 'wooden pictures': printed decoration in the domestic interior before 1700, Gill Saunders; Top knots and lower sorts: print and promiscuous consumption in the 1690s, Angela McShane and Clare Backhouse; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
William Faithorne;william;Young Man;faithorne;Engraved Title Pages;broadside;Society Of Jesus;ballads;Broadside Ballad;john;Adriaen Collaert;overton;Claes Jansz;engraved;Sachiko Kusukawa;title;David Loggan;pages;Portrait Engraved;wenceslaus;Christian Prayers;Emblem Books;Dense;Jacques Callot;Charles I;Ad Vivum;Liber Secundus;Van Der Vinne;Gesner's Works;Monasticon Anglicanum;Henry Brome;Paper Hangings;Bm Satire;Lining Papers;Royal Society Fellows
Contents: Introduction, Michael Hunter; Part 1 Printed Images and the Reformation: Symbols of conversion: proprieties of the page in Reformation England, Margaret Aston; Censorship and self-censorship in late 16th-century English book illustration, Richard L. Williams; Guides to Godliness from print to plaster, Tara Hamling; 'Like fragments of a shipwreck': printed images and religious antiquarianism in early modern England, Alexandra Walsham. Part 2 Printed Images in Science and Cartography: Page techne: interpreting diagrams in early modern English 'how-to' books, Lori Anne Ferrell; Gesner, Topsell and the purposes of pictures in early modern natural histories, Katherine Acheson; Hollar's prospects and maps of London, Simon Turner; The theory of the impression according to Robert Hooke, Matthew Hunter. Part 3 Printed Images and Politics: The Common Weales Canker Wormes or the Locusts of Both Church and State: emblematic identities in a late Jacobean print, Malcolm Jones; Buckingham engraved: politics, print images and the royal favourite in the 1620s, Alastair Bellany; The Devil's Bloodhound: Roger L'Estrange caricatured, Helen Pierce; Decoding the Leviathan: doing the history of ideas through images 1651-1714, Justin Champion. Part 4 Printed Images and Aspects of Late 17th-Century English Culture: Noble or commercial? The early history of mezzotint in Britain, Ben Thomas; Faithorne, Loggan, Vandrebank and White: the engraved portrait in late 17th-century Britain, David Alexander; 'Paper tapestry' and 'wooden pictures': printed decoration in the domestic interior before 1700, Gill Saunders; Top knots and lower sorts: print and promiscuous consumption in the 1690s, Angela McShane and Clare Backhouse; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
William Faithorne;william;Young Man;faithorne;Engraved Title Pages;broadside;Society Of Jesus;ballads;Broadside Ballad;john;Adriaen Collaert;overton;Claes Jansz;engraved;Sachiko Kusukawa;title;David Loggan;pages;Portrait Engraved;wenceslaus;Christian Prayers;Emblem Books;Dense;Jacques Callot;Charles I;Ad Vivum;Liber Secundus;Van Der Vinne;Gesner's Works;Monasticon Anglicanum;Henry Brome;Paper Hangings;Bm Satire;Lining Papers;Royal Society Fellows
