Queer Movie Medievalisms
-15%
portes grátis
Queer Movie Medievalisms
Pugh, Tison; Kelly, Kathleen Coyne
Taylor & Francis Ltd
07/2009
266
Dura
Inglês
9780754675921
15 a 20 dias
650
Descrição não disponível.
Contents: Introduction: queer history, cinematic medievalism, and the impossibility of sexuality, Kathleen Coyne Kelly and Tison Pugh; The law of the daughter: queer family politics in Bertrand Tavernier's La Passion Beatrice, Lisa Manter; Queering the Lionheart: Richard I in The Lion in Winter on stage and screen, R. Barton Palmer; 'He's not a ardent suitor, is he, brother?': Richard the Lionheart's ambiguous sexuality in Cecil B. DeMille's The Crusades (1935), Lorraine Kochanske Stock; 'In the company of Orcs': Peter Jackson's queer Tolkien, Jane Chance; The Eastern Western: camp as a response to cultural failure in The Conqueror, Anna Klosowska; 'In my own idiom': social critique, campy gender, and queer performance in Monty Python and the Holy Grail, Susan Aronstein; Performance, camp, and queering history in Luc Besson's Jeanne d'Arc, Susan Hayward; Sean Connery's star persona and the queer Middle Ages, Tison Pugh; Will Rogers' pink spot: A Connecticut Yankee (1931), Kathleen Coyne Kelly; Danny Kaye and the 'fairy tale' of queerness in The Court Jester, Martha Bayless; Mourning and sexual difference in Hans-JA1/4rgen Syberbergs's Parsifal, Michelle Bolduc; Superficial medievalism and the queer futures of film, Cary Howie; Afterword, Glenn Burger and Steven F. Kruger; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Men;Medieval Film;carolyn;Carolyn Dinshaw;dinshaw;Richard Coeur De Lion;film;Robin Hood;robin;Karma Lochrie;hood;Temujin;richard;Movie Medievalisms;coeur;Flying Circus;lion;Milla Jovovich;tison;Black Fox;pugh;Ozon's Film;Monty Python's Flying Circus;Syberberg's Film;Cenci Story;Syberberg's Parsifal;Unio Mystica;Queer Movie Medievalisms;Je Ne;Queer Cinema;Modern Family;Star Persona;Wagner's Legacy;Melvin Frank;King Arthur's Court
Contents: Introduction: queer history, cinematic medievalism, and the impossibility of sexuality, Kathleen Coyne Kelly and Tison Pugh; The law of the daughter: queer family politics in Bertrand Tavernier's La Passion Beatrice, Lisa Manter; Queering the Lionheart: Richard I in The Lion in Winter on stage and screen, R. Barton Palmer; 'He's not a ardent suitor, is he, brother?': Richard the Lionheart's ambiguous sexuality in Cecil B. DeMille's The Crusades (1935), Lorraine Kochanske Stock; 'In the company of Orcs': Peter Jackson's queer Tolkien, Jane Chance; The Eastern Western: camp as a response to cultural failure in The Conqueror, Anna Klosowska; 'In my own idiom': social critique, campy gender, and queer performance in Monty Python and the Holy Grail, Susan Aronstein; Performance, camp, and queering history in Luc Besson's Jeanne d'Arc, Susan Hayward; Sean Connery's star persona and the queer Middle Ages, Tison Pugh; Will Rogers' pink spot: A Connecticut Yankee (1931), Kathleen Coyne Kelly; Danny Kaye and the 'fairy tale' of queerness in The Court Jester, Martha Bayless; Mourning and sexual difference in Hans-JA1/4rgen Syberbergs's Parsifal, Michelle Bolduc; Superficial medievalism and the queer futures of film, Cary Howie; Afterword, Glenn Burger and Steven F. Kruger; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Men;Medieval Film;carolyn;Carolyn Dinshaw;dinshaw;Richard Coeur De Lion;film;Robin Hood;robin;Karma Lochrie;hood;Temujin;richard;Movie Medievalisms;coeur;Flying Circus;lion;Milla Jovovich;tison;Black Fox;pugh;Ozon's Film;Monty Python's Flying Circus;Syberberg's Film;Cenci Story;Syberberg's Parsifal;Unio Mystica;Queer Movie Medievalisms;Je Ne;Queer Cinema;Modern Family;Star Persona;Wagner's Legacy;Melvin Frank;King Arthur's Court
