Redefining Gender in American Impressionist Studio Paintings

Redefining Gender in American Impressionist Studio Paintings

Work Place/Domestic Space

Ringelberg, Kirstin

Taylor & Francis Ltd

08/2010

178

Dura

Inglês

9780754669210

15 a 20 dias

536

Descrição não disponível.
Contents: Introduction: the studio, the domestic interior and the ideology of separate spheres; Working men and leisurely ladies: tropes of gender and the artist's studio in the late 19th century; 'The prince of the atelier': negotiating effeminacy in A Friendly Call by William Merritt Chase; 'The painter will not sink into the mother': Mary Fairchild's nursery/studio; Rendering invisible by display: representations of late 19th-century American women; Epilogue; Bibliography; Index.
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National Academy;Shinnecock Hills;Des Beaux Arts;Rosa Bonheur;Childe Hassam;Puvis De Chavannes;Nationale Des Beaux Arts;Friendly Call;Fanny Assingham;Frederick MacMonnies;Women's Studios;Studio Paintings;Terra Foundation;Adam Verver;Berthe Morisot;Pastel Self-portrait;Exhibition Catalogue;Rockefeller III;Karl Von Piloty;Feminist Art Criticism;Wall Hangings;Red Blood Corpuscles;White Bourgeois Women;Mount's Painter;Women's Pavilion