Representations of the Orient in Western Music
-15%
portes grátis
Representations of the Orient in Western Music
Violence and Sensuality
Al-Taee, Nasser
Taylor & Francis Ltd
11/2010
336
Dura
Inglês
9780754664697
15 a 20 dias
453
Descrição não disponível.
Contents: Preface; Part I Introduction: Between violence and sensuality: Orientalism in musicology. Part II Prophets and Concubines: Models of Violence and Sensuality: The character of Muhammad: a model of violence and sensuality in the European image of the Orient; Slaves, sultans and concubines: the components of illusion. Part III The 18th and 19th Centuries: the Contextualization of Knowledge: Music as noise: barbarity, deficiency, and intrusion in Western accounts of Turkish music; Osmin's rage meets Selim's benevolence: the Oriental other in Mozart's Die EntfA1/4hrung aus dem Serail; 200 years of Orientalism: construction of the Orient in Wieland's, Wranitzky's, Weber's, and Burgess' Oberon; Whirling fanatics: Orientalism, politics and religious rivalry in Western operatic representations of the Orient. Part IV The Arabian Nights in Music and Film: Under the spell of magic: the Oriental tale in Rimsky-Korsakov's Scheherezade; Reel bad Arabs, really bad lyrics: villainous Arabs in Disney's Aladdin; Select bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Le Turc;alla;Martern Aller Arten;turca;Alla Turca;Alla Turca Style;Rimsky Korsakov's Scheherazade;Osmin's Rage;Eighteenth Century Instrumental Music;Turkish Music;Act Iii;Oriental Tale;Oriental Male;Disney's Aladdin;Osmin's Aria;Eastern Ethnic Practices;Der Elfen;Mozart's Die;Oriental Operas;Janissary Music;Program Music;Central Palace;National Library;Voltaire's Mahomet;Young Man;Lady Wortley Montagu;Christoph Hellmut Mahling
Contents: Preface; Part I Introduction: Between violence and sensuality: Orientalism in musicology. Part II Prophets and Concubines: Models of Violence and Sensuality: The character of Muhammad: a model of violence and sensuality in the European image of the Orient; Slaves, sultans and concubines: the components of illusion. Part III The 18th and 19th Centuries: the Contextualization of Knowledge: Music as noise: barbarity, deficiency, and intrusion in Western accounts of Turkish music; Osmin's rage meets Selim's benevolence: the Oriental other in Mozart's Die EntfA1/4hrung aus dem Serail; 200 years of Orientalism: construction of the Orient in Wieland's, Wranitzky's, Weber's, and Burgess' Oberon; Whirling fanatics: Orientalism, politics and religious rivalry in Western operatic representations of the Orient. Part IV The Arabian Nights in Music and Film: Under the spell of magic: the Oriental tale in Rimsky-Korsakov's Scheherezade; Reel bad Arabs, really bad lyrics: villainous Arabs in Disney's Aladdin; Select bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Le Turc;alla;Martern Aller Arten;turca;Alla Turca;Alla Turca Style;Rimsky Korsakov's Scheherazade;Osmin's Rage;Eighteenth Century Instrumental Music;Turkish Music;Act Iii;Oriental Tale;Oriental Male;Disney's Aladdin;Osmin's Aria;Eastern Ethnic Practices;Der Elfen;Mozart's Die;Oriental Operas;Janissary Music;Program Music;Central Palace;National Library;Voltaire's Mahomet;Young Man;Lady Wortley Montagu;Christoph Hellmut Mahling
