Music Trade in Georgian England

Contents: Preface; Part I Longman, Broderip and Their Successors: Chronology of the business begun by James Longman; Longman and Broderip, Jenny Nex; Broderip and Wilkinson, Michael Kassler; Clementi's music business, David Rowland; Clementi as publisher, David Rowland. Part II Music Sellers' Catalogues: A Case Study: The periodical music collections of John Bland and his successors, Yu Lee An. Part III The Legal Context: The development of musical copyright, John Small. Part IV New Technologies: Earl Stanhope's 'letter-music', Michael Kassler; Stanhope's novel musical instruments, Michael Kassler; Vollweiler's introduction of music lithography to England, Michael Kassler; Summary of legal cases; Index of persons.

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• Música clássica (desde ~1750 até ~1830)
• História económica
• Literatura: história e crítica
• Início da história moderna: c 1450/1500 a c 1700
• História inglesa e irlandesa
• Gestão e técnicas de gestão
• Artes: temas gerais
• Land & direito imobiliário
• Historia do direito

Music Sellers;David Rowland;Piano Forte;Jenny Nex;Tottenham Court Road;John Small;Music Plates;Yu Lee An;Common Music Notation;Chevening Estate;Series Title Page;John Bland;Leipzig Allgemeine Musikalische Zeitung;Common Law Copyright;Piano Makers;La Belle;Bland's Collection;Honourable East India Company;East India Company;Thematic Catalogue;Title Page Plate;Stage D1;Haydn's Op;Gradus Ad Parnassum;King's Bench;National Library;Music Privileges;Copyright Act;Hay Market