Sounds and Sights of Performance in Early Music
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Sounds and Sights of Performance in Early Music
Essays in Honour of Timothy J. McGee
Power, Brian E.; Epp, Maureen
Taylor & Francis Ltd
10/2009
310
Dura
Inglês
9780754654834
15 a 20 dias
453
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Contents: Introduction; Part I Viewing the Evidence: A sight-reading vielle player from the 13th century, John Haines; The story of O: a variant in the Beckett Office, Andrew Hughes; Rubrics in Trent 93 and Trent 90: a performers guide?, Brian E. Power; The ghost of perfection: some thoughts on the Munich partbooks, Honey Meconi; Reading the signs: notation and performance in the French popular song repertory, Maureen Epp; Vincenzo Galilei's re-vision of Renaissance tuning: trading on nature and art, Leslie Korrick. Part II Reconsidering Contexts: Possible origins of the Lo dances and their performance implications, Randall Rosenfeld; Chamber musicians, singers and performance practices in the early 15th century, Keith Polk; A measure of moral virtue: women, dancing and public performance in 15th-century Italy, Jennifer Nevile; Irregular and asymmetric galliards: the case of Salamone Rossi, Barbara Sparti; Limitations of meaning: text and context in Monteverdi's Baci soavi e cari (1587), Robert Toft; Hooked on ecstasy: performance 'practice' and the reception of the music of Hildegard of Bingen, Jennifer Bain; Publications of Timothy J. McGee; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;american;Gautier De Coincy;musicological;Victimae Paschali Laudes;society;Vincenzo Galilei;timothy;Book III;mcgee;Fortuna Desperata;howard;Miracles De Nostre Dame;mayer;Enharmonic Genera;brown;Salve Sancta Parens;gautier;Hildegard's Music;coincy;Hermannus Contractus;dance history;Faenza Codex;Italian dance treatises;Diatonic Genus;music iconography;Conrad Paumann;French popular song repertory;Parisian Chanson;Gothic Voices;Cd Liner Note;Accademia Del Disegno;Public Dance Performances;Paris Manuscripts;Accademia Degli Alterati;Fifteenth Century Italy;Cantus Firmus;Le Istitutioni Harmoniche;Baccio Bandinelli
Contents: Introduction; Part I Viewing the Evidence: A sight-reading vielle player from the 13th century, John Haines; The story of O: a variant in the Beckett Office, Andrew Hughes; Rubrics in Trent 93 and Trent 90: a performers guide?, Brian E. Power; The ghost of perfection: some thoughts on the Munich partbooks, Honey Meconi; Reading the signs: notation and performance in the French popular song repertory, Maureen Epp; Vincenzo Galilei's re-vision of Renaissance tuning: trading on nature and art, Leslie Korrick. Part II Reconsidering Contexts: Possible origins of the Lo dances and their performance implications, Randall Rosenfeld; Chamber musicians, singers and performance practices in the early 15th century, Keith Polk; A measure of moral virtue: women, dancing and public performance in 15th-century Italy, Jennifer Nevile; Irregular and asymmetric galliards: the case of Salamone Rossi, Barbara Sparti; Limitations of meaning: text and context in Monteverdi's Baci soavi e cari (1587), Robert Toft; Hooked on ecstasy: performance 'practice' and the reception of the music of Hildegard of Bingen, Jennifer Bain; Publications of Timothy J. McGee; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;american;Gautier De Coincy;musicological;Victimae Paschali Laudes;society;Vincenzo Galilei;timothy;Book III;mcgee;Fortuna Desperata;howard;Miracles De Nostre Dame;mayer;Enharmonic Genera;brown;Salve Sancta Parens;gautier;Hildegard's Music;coincy;Hermannus Contractus;dance history;Faenza Codex;Italian dance treatises;Diatonic Genus;music iconography;Conrad Paumann;French popular song repertory;Parisian Chanson;Gothic Voices;Cd Liner Note;Accademia Del Disegno;Public Dance Performances;Paris Manuscripts;Accademia Degli Alterati;Fifteenth Century Italy;Cantus Firmus;Le Istitutioni Harmoniche;Baccio Bandinelli
