Women and Portraits in Early Modern Europe

Women and Portraits in Early Modern Europe

Gender, Agency, Identity

Pearson, Andrea

Taylor & Francis Ltd

04/2008

244

Dura

Inglês

9780754656661

15 a 20 dias

610

Descrição não disponível.
Contents: Introduction: portraiture's selves, Andrea Pearson; Gender and the configuration of early Netherlandish devotional skill, Bret Rothstein; Productions of meaning in portraits of Margaret of York, Andrea Pearson; The posthumous image of Mary of Burgundy, Ann M. Roberts; Effaced: falling widows, Allison Levy; Daddy's little girl: patrilineal anxiety in 2 portraits of a Renaissance daughter, Katherine A. McIver; Engaging negation in Hans Holbein the Younger's portrait of Christina of Denmark Duchess of Milan, Christiane Hertel; All the queen's women: female double portraits at the Caroline court, Jennifer L. Hallam; Troubling identities and the agreeable game of art: from Madame de Pompadour's theatrical 'breeches' of decorum to Drouais' portrait of Madame Du Barry en homme, Melissa Lee Hyde; Sculpting her image: Sarah Siddons and the art of self-fashioning, Heather McPherson; Bibliography; Index.
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Double Portrait;double;Young Man;rogier;Profile Portrait;van;Le Ry;weyden;Portrait Of A Man;koninklijk;Early Modern;museum;Museo Thyssen Bornemisza;voor;Koninklijk Museum Voor Schone Kunsten;schone;En Homme;kunsten;Royal Academy;homme;Reclaiming Female Agency;Sir John Soane's Museum;Vita Activa;Van Der Weyden;Rogier Van Der Weyden;Archivio Di Stato;Van Dyck's Portraits;Madame De Pompadour;Royale De Belgique;Mercier's Comment;Duchesse De Bourgogne;Queen's Masques;Early Modern Widow;Women's Portraits;Duc De Luynes