Women's Romantic Theatre and Drama
-15%
portes grátis
Women's Romantic Theatre and Drama
History, Agency, and Performativity
Crisafulli, Lilla Maria; Elam, Keir
Taylor & Francis Ltd
04/2010
304
Dura
Inglês
9780754655770
15 a 20 dias
720
Descrição não disponível.
Contents: Introduction, Lilla Maria Crisafulli and Keir Elam; Part I Historical Drama and Romantic Historiography: Baillie, Mitford, and the 'different track' of women's historical drama on the romantic stage, Greg Kucich; Historical agency in romantic women's drama, Lilla Maria Crisafulli; Hannah More's and Ann Yearsley's Anglo-Saxon history plays, Cecilia Pietropoli; Historical sieges in women's romantic drama: Felicia Hemans, Joanna Baillie and Frances Brooke, Serena Baiesi; Felicia Hemans, Schillerian drama, and the feminization of history, Gary Kelly. Part II Dramaturgical and Cultural Processes: The erotics of home: staging sexual fantasy in British women's drama, Catherine Burroughs; When Mitford met Baillie: theatre, sociability and the networks of women's romantic drama, Diego Saglia; Dramatic theory and critical discourse in Elizabeth Inchbald's Remarks on The British Theatre, Franca Dellarosa; Elizabeth Inchbald: translation as mediation and re-writing, Vita M. Mastrosilvestri; Negotiating voices in romantic theatre: Scottish women playwrights, gender and performativity, Gioia Angeletti. Part III Women Staging, Women Staged: Inchbald, Holcroft and the censorship of Jacobin theatre, Jane Moody; From darkness to light: science and religion on Joanna Baillie's stage, Isabella Imperiali; Poses and pauses: Sarah Siddons and the romantic theatrical portrait, Claudia Corti; When 'poetry and stage do agree together': Elizabeth Vestris's A Midsummer Night's Dream, Stefania Magnoni; Bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Men;elizabeth;Warrington Academy;inchbald;Romantic Era Women Writers;playwrights;Plays Back;joanna;Social Representativeness;baillie;Double Marginalization Effect;british;King George III;writers;Die Jungfrau Von Orleans;baillies;Baillie's Plays;plays;Romantic Women Playwrights;drury;Lady Dacre;women's history plays;Constantine Paleologus;public theatre;Women Playwrights;women's professional practice;Contemporary Society;women's closet drama;Vice Versa;ethicized drama;Act Iii;Elizabeth Inchbald;Lord Chamberlain's Office;Mrs Inchbald;Schillerian Drama;Sovereign Subjectivity;Richard III;Midsummer Night's Dream;Romantic Historical Drama;Masculine History
Contents: Introduction, Lilla Maria Crisafulli and Keir Elam; Part I Historical Drama and Romantic Historiography: Baillie, Mitford, and the 'different track' of women's historical drama on the romantic stage, Greg Kucich; Historical agency in romantic women's drama, Lilla Maria Crisafulli; Hannah More's and Ann Yearsley's Anglo-Saxon history plays, Cecilia Pietropoli; Historical sieges in women's romantic drama: Felicia Hemans, Joanna Baillie and Frances Brooke, Serena Baiesi; Felicia Hemans, Schillerian drama, and the feminization of history, Gary Kelly. Part II Dramaturgical and Cultural Processes: The erotics of home: staging sexual fantasy in British women's drama, Catherine Burroughs; When Mitford met Baillie: theatre, sociability and the networks of women's romantic drama, Diego Saglia; Dramatic theory and critical discourse in Elizabeth Inchbald's Remarks on The British Theatre, Franca Dellarosa; Elizabeth Inchbald: translation as mediation and re-writing, Vita M. Mastrosilvestri; Negotiating voices in romantic theatre: Scottish women playwrights, gender and performativity, Gioia Angeletti. Part III Women Staging, Women Staged: Inchbald, Holcroft and the censorship of Jacobin theatre, Jane Moody; From darkness to light: science and religion on Joanna Baillie's stage, Isabella Imperiali; Poses and pauses: Sarah Siddons and the romantic theatrical portrait, Claudia Corti; When 'poetry and stage do agree together': Elizabeth Vestris's A Midsummer Night's Dream, Stefania Magnoni; Bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Men;elizabeth;Warrington Academy;inchbald;Romantic Era Women Writers;playwrights;Plays Back;joanna;Social Representativeness;baillie;Double Marginalization Effect;british;King George III;writers;Die Jungfrau Von Orleans;baillies;Baillie's Plays;plays;Romantic Women Playwrights;drury;Lady Dacre;women's history plays;Constantine Paleologus;public theatre;Women Playwrights;women's professional practice;Contemporary Society;women's closet drama;Vice Versa;ethicized drama;Act Iii;Elizabeth Inchbald;Lord Chamberlain's Office;Mrs Inchbald;Schillerian Drama;Sovereign Subjectivity;Richard III;Midsummer Night's Dream;Romantic Historical Drama;Masculine History
