Identity and Locality in Early European Music, 1028-1740
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Identity and Locality in Early European Music, 1028-1740
Stoessel, Jason
Taylor & Francis Ltd
11/2009
272
Dura
Inglês
9780754664871
15 a 20 dias
453
Descrição não disponível.
Contents: Preface; Introduction; Part I Identity and Practice in Aquitanian and Iberian Plainchant: Ademar de Chabannes at the nexus of tradition and innovation, James Grier; Seeking early practice for the exultet in Iberia, Kathleen E. Nelson; Regional and royal: aspects of practice in 3 Portuguese prints of the Lamentations of Jeremiah (1543-1595), Jane Morlet Hardie; Plainsong in Eastern Spain and the tono valenciano, Greta J. Olson. Part II Late Medieval Aesthetics, Traditions and Practices: Some early references to Aristotle's Politics in Parisian writings about music, Catherine Jeffreys; Music and moral philosophy in early 15th-century Padua, Jason Stoessel; Late-medieval sacred songs: tradition, memory and history, Reinhard Strohm. Part III Local Practices in Renaissance and Baroque Music: Pervasive imitation in Senfl's Ave Maria...Virgo Serens: borrowing from Josquin in 16th-century Augsburg, Miranda Stanyon; Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: a source study of the serenata Venere, Adone et Amore (1696), Rosalind Halton; 'After 6 weeks': music for the churching ceremonies of Maria Josepha, Electoral Princess of Saxony and Queen of Poland, Janice B. Stockigt; Bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Royal Chapel;royal;August III;chapel;Maria Josepha;maria;Cantus Firmus;josepha;Boethius's De Institutione Musica;real;Saint Martial;academia;Pervasive Imitation;historia;Josquin's Motet;international;Moerbeke's Translation;musicological;Alessandro Scarlatti;society;Super Psalmos;James Grier;Ademar De Chabannes;Kathleen E. Nelson;Scarlatti's Work;Jane Morlet Hardie;Johannes Ciconia;Greta J. Olson;Deutsche Fotothek;Catherine Jeffreys;High Percentage Accuracy;Reinhard Strohm;Valencia Cathedral;Miranda Stanyon;Real Academia De La Historia;Rosalind Halton;Leofranc Holford Strevens;Janice B. Stockigt;Motu Proprio;St John Passion;Polyphonic Imitation;Paulus III;King Philip II;Episcopal Liturgy
Contents: Preface; Introduction; Part I Identity and Practice in Aquitanian and Iberian Plainchant: Ademar de Chabannes at the nexus of tradition and innovation, James Grier; Seeking early practice for the exultet in Iberia, Kathleen E. Nelson; Regional and royal: aspects of practice in 3 Portuguese prints of the Lamentations of Jeremiah (1543-1595), Jane Morlet Hardie; Plainsong in Eastern Spain and the tono valenciano, Greta J. Olson. Part II Late Medieval Aesthetics, Traditions and Practices: Some early references to Aristotle's Politics in Parisian writings about music, Catherine Jeffreys; Music and moral philosophy in early 15th-century Padua, Jason Stoessel; Late-medieval sacred songs: tradition, memory and history, Reinhard Strohm. Part III Local Practices in Renaissance and Baroque Music: Pervasive imitation in Senfl's Ave Maria...Virgo Serens: borrowing from Josquin in 16th-century Augsburg, Miranda Stanyon; Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: a source study of the serenata Venere, Adone et Amore (1696), Rosalind Halton; 'After 6 weeks': music for the churching ceremonies of Maria Josepha, Electoral Princess of Saxony and Queen of Poland, Janice B. Stockigt; Bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Royal Chapel;royal;August III;chapel;Maria Josepha;maria;Cantus Firmus;josepha;Boethius's De Institutione Musica;real;Saint Martial;academia;Pervasive Imitation;historia;Josquin's Motet;international;Moerbeke's Translation;musicological;Alessandro Scarlatti;society;Super Psalmos;James Grier;Ademar De Chabannes;Kathleen E. Nelson;Scarlatti's Work;Jane Morlet Hardie;Johannes Ciconia;Greta J. Olson;Deutsche Fotothek;Catherine Jeffreys;High Percentage Accuracy;Reinhard Strohm;Valencia Cathedral;Miranda Stanyon;Real Academia De La Historia;Rosalind Halton;Leofranc Holford Strevens;Janice B. Stockigt;Motu Proprio;St John Passion;Polyphonic Imitation;Paulus III;King Philip II;Episcopal Liturgy
