Keys to the Drama
Keys to the Drama
Nine Perspectives on Sonata Forms
Sly, Gordon
Taylor & Francis Ltd
09/2009
248
Dura
Inglês
9780754656067
15 a 20 dias
616
Descrição não disponível.
Chapter 1 The Divided Tonic in the First Movement of Beethoven's Op. 132, FrankSamarotto; Chapter 2 Types, Tokens, and Figaro, MatthewShaftel; Chapter 3 Mahler's Third Symphony and the Dismantling of Sonata Form, WilliamMarvin; Chapter 4 Motivic Design and Coherence in the First Movement of Schubert's "Arpeggione" Sonata D. 821, EvanJones; Chapter 5 Reading Mozart's Piano Sonata in D Major (K. 311) First Movement, NeilMinturn; Chapter 6 Design and Structure in Schubert's Sonata Forms, GordonSly; Chapter 7 On Chopin's Fourth Ballade, EdwardLaufer; Chapter 8, AlanGosman; Chapter 9 A-Major Events, BrianAlegant;
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music analysis;motivic development;tonal structure;nineteenth-century composers;formal innovation;harmonic progression;advanced sonata form analysis
Chapter 1 The Divided Tonic in the First Movement of Beethoven's Op. 132, FrankSamarotto; Chapter 2 Types, Tokens, and Figaro, MatthewShaftel; Chapter 3 Mahler's Third Symphony and the Dismantling of Sonata Form, WilliamMarvin; Chapter 4 Motivic Design and Coherence in the First Movement of Schubert's "Arpeggione" Sonata D. 821, EvanJones; Chapter 5 Reading Mozart's Piano Sonata in D Major (K. 311) First Movement, NeilMinturn; Chapter 6 Design and Structure in Schubert's Sonata Forms, GordonSly; Chapter 7 On Chopin's Fourth Ballade, EdwardLaufer; Chapter 8, AlanGosman; Chapter 9 A-Major Events, BrianAlegant;
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.