Queer Movie Medievalisms
-15%
portes grátis
Queer Movie Medievalisms
Pugh, Tison; Kelly, Kathleen Coyne
Taylor & Francis Ltd
07/2009
266
Dura
Inglês
9780754675921
15 a 20 dias
650
Descrição não disponível.
Contents: Introduction: queer history, cinematic medievalism, and the impossibility of sexuality, Kathleen Coyne Kelly and Tison Pugh; The law of the daughter: queer family politics in Bertrand Tavernier's La Passion Beatrice, Lisa Manter; Queering the Lionheart: Richard I in The Lion in Winter on stage and screen, R. Barton Palmer; 'He's not a ardent suitor, is he, brother?': Richard the Lionheart's ambiguous sexuality in Cecil B. DeMille's The Crusades (1935), Lorraine Kochanske Stock; 'In the company of Orcs': Peter Jackson's queer Tolkien, Jane Chance; The Eastern Western: camp as a response to cultural failure in The Conqueror, Anna Klosowska; 'In my own idiom': social critique, campy gender, and queer performance in Monty Python and the Holy Grail, Susan Aronstein; Performance, camp, and queering history in Luc Besson's Jeanne d'Arc, Susan Hayward; Sean Connery's star persona and the queer Middle Ages, Tison Pugh; Will Rogers' pink spot: A Connecticut Yankee (1931), Kathleen Coyne Kelly; Danny Kaye and the 'fairy tale' of queerness in The Court Jester, Martha Bayless; Mourning and sexual difference in Hans-JA1/4rgen Syberbergs's Parsifal, Michelle Bolduc; Superficial medievalism and the queer futures of film, Cary Howie; Afterword, Glenn Burger and Steven F. Kruger; Index.
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cinematic gender studies;medieval film analysis;sexuality representation;queer theory cinema;camp performance history;LGBTQ medieval narratives;medievalism and sexual identity in film
Contents: Introduction: queer history, cinematic medievalism, and the impossibility of sexuality, Kathleen Coyne Kelly and Tison Pugh; The law of the daughter: queer family politics in Bertrand Tavernier's La Passion Beatrice, Lisa Manter; Queering the Lionheart: Richard I in The Lion in Winter on stage and screen, R. Barton Palmer; 'He's not a ardent suitor, is he, brother?': Richard the Lionheart's ambiguous sexuality in Cecil B. DeMille's The Crusades (1935), Lorraine Kochanske Stock; 'In the company of Orcs': Peter Jackson's queer Tolkien, Jane Chance; The Eastern Western: camp as a response to cultural failure in The Conqueror, Anna Klosowska; 'In my own idiom': social critique, campy gender, and queer performance in Monty Python and the Holy Grail, Susan Aronstein; Performance, camp, and queering history in Luc Besson's Jeanne d'Arc, Susan Hayward; Sean Connery's star persona and the queer Middle Ages, Tison Pugh; Will Rogers' pink spot: A Connecticut Yankee (1931), Kathleen Coyne Kelly; Danny Kaye and the 'fairy tale' of queerness in The Court Jester, Martha Bayless; Mourning and sexual difference in Hans-JA1/4rgen Syberbergs's Parsifal, Michelle Bolduc; Superficial medievalism and the queer futures of film, Cary Howie; Afterword, Glenn Burger and Steven F. Kruger; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
