Ashgate Research Companion to Experimental Music

Contents: Foreword; Preface; Part I: Why experimental? Why me?, Christopher Fox; Writing, music, Michael Pisaro; A prescription for action, Philip Thomas; Open sources: words, circuits, and the notation/realization relation in live electronic music, Ronald Kuivila; Instrumentalizing: approaches to improvising with sounding objects in experimental music, Andy Keep; Free improvisation in music and capitalism: resisting authority and the cults of scientism and celebrity, Edwin Prevost; Beyond the soundscape: art and nature in contemporary phonography, Will Montgomery; Soundwalking: aural excursions into the everyday, John Levack Drever; 'We have eyes as well as ears...': experimental music and the visual arts, David Ryan. Part II: Fourteen musicians, James Saunders; Antoine Beuger; Laurence Crane; Rhodri Davies; Christopher Fox; Bernhard GA1/4nter; Bryn Harrison; Philip Jeck; Alvin Lucier; Phill Niblock; Evan Parker; Tim Parkinson; Jennifer Walshe; Manfred Werder; Christian Wolff; Bibliography; Index.

Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.

• Artes: temas gerais
• Século 20 e música clássica contemporânea
• Teoria da música e musicologia

Playback;john;John Cage;cage;Christopher Fox;companion15;Experimental Music;cornelius;Vice Versa;cardew;Cornelius Cardew;morton;Dense;feldman;Follow;monte;Leonardo Music Journal;young;Hold;christopher;Duo;Contemporary Music Review;Live Electronic Music;Howard Skempton;String Quartet;Petr Kotik;Wo;Mozart;Free Improvisation;Acoustic Ecology;Orchestra Piece;Electroacoustic Music;Natural Beauty;Contact Microphone;Clips