Transgressive Theatricality, Romanticism, and Mary Wollstonecraft

Introduction, Lisa Plummer Crafton; Chapter 1 Wollstonecraft and Romantic (Anti) Theatricality, Lisa Plummer Crafton; Chapter 2 "Stage Effect": Transgressive Theatricality in Wollstonecraft's Maria, or The Wrongs of Woman, Lisa Plummer Crafton; Chapter 3 Becoming a "Sign-post": Ethics and Theater, Lisa Plummer Crafton; Chapter 4 "The subterfuge of law": Theatricality and Juridical Discourse, Lisa Plummer Crafton; Chapter 5 "The gallery is in place of the house": The French Revolution and State Theater, Lisa Plummer Crafton; Chapter 6 Retaliatory Self-Invention: Siddons, Wollstonecraft, and Theatricality, Lisa Plummer Crafton;

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• Literatura: história e crítica
• Estudos literários: c 1800 a c 1900
• Estudos literários: geral
• Estudos teatrais

Edward III;british;Artificial Society;women;Mary Wollstonecraft;writers;British Romantic Women Writers;performative;VRM.;utterance;Wollstonecraft's Representation;fair;Performative Instructions;penitent;Theatrical Tropes;wollstonecrafts;Wollstonecraft's Manipulation;manipulation;Siddons's Performances;siddonss;Fair Penitent;Romantic Theatricality;British Treason Trials;Reynolds's Painting;Spectatorial Negotiations;Wollstonecraft's Texts;Tragic Muse;Adultery Trial;Juridical Discourse;Moral Utility;Act III;Rowe's Play;Mottled Background;Maria's Growth;Treason Trials