Chant and Notation in South Italy and Rome before 1300

Contents: Introduction; A new source for Old Beneventan chant: the Santa Sophia Maundy in MS Ottoboni lat 145; Old Beneventan chant at Montecassino: Gloriosus confessor Domini Benedictus; The neumes and Pater Noster chant of Montecassino codex 426; The Frankish Pater Noster chant: tradition and anaphoral context; Gloria A and the Roman Easter vigil ordinary; The Beneventan apostrophus in South Italian notation, A.D. 1000-1100; The 'lost' palimpsest kyries in the Vatican Manuscript Urbinus latinus 602; Hymns and poems at mass in 11th-century Southern Italy (other than sequences); Italian and Roman verses for kyrie leyson in the MSS Cologny-Geneve, Bibliotheca Bodmeriana 74 and Vaticanus latinus 5319; Review of Thomas Forrest Kelly, The Beneventan Chant; Chant notation in 11th-century Roman manuscripts; Music notation in Archivo San Pietro C105 and in the Farfa breviary, Chigi C.VI.177; The Roman introit Salus populi; The Roman Missa sponsalicia; Deus Israel and Roman introits; Addenda and corrigenda; Indexes.

Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.

• Música sacra e religiosa

Archivio San Pietro;Beneventan Chant;beneventan;Roman Chant;roman;Nicholas III;gregorian;MS Vat;vatican;Ordinary Chants;edition;Gregorian Versions;script;Pater Noster;easter;San Pietro;vigil;Gregorian Melodies;old;Kyrie Eleyson;san;Sim Ilar;Psalm Verse;Bibliotheca Bodmeriana;Easter Vigil;Salus Populi;San Saba;SS Cosmas;Kyrie Melodies;Gregorian Chant;Vatican Edition;Sursum Corda;Gregorian Antiphoners;Gloria Trope;Introit Antiphon