Dante on View

Contents: Introduction; Part I Dante in Performance: The Comedy as a text for performance, Peter Armour; Dante on the 19th-century stage, Richard Cooper; Dante's Inferno in the 1900s: from drama to film, Antonella Braida; From Dante to Dante Sonata, Jane E. Everson; 'La dolce sinfonia di Paradiso': can mere mortals compose it?, Maria Ann Roglieri. Part II Dante in the Visual Arts: The image of Dante, poet and pilgrim, Rachel Owen; Francesca observed: painting and illustration, c1790-1840, Nicholas Havely; Dante and the pre-Raphaelites: British and Italian responses, Guiliana Pieri; From Hell to Paradise or the other way round? Salvador Dali's Divina Commedia, Ilaria Schiaffini. Part III Dante in the Cinema and Multimedia: Francesca da Rimini: the movie, Amilcare A. Iannucci; Dante in the cinema or Dante and the cinema?, Christopher Wagstaff; From Dante's Inferno to A TV Dante: Phillips and Greenaway remediating Dante's polysemy, Luisa Cale. Coda: Wish you were here: postcards from the afterlife, Alex Cooper; Select bibliography; Index.

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• Teoria e crítica de filmes
• História dos estilos de arte e design: ~1800 até ~1900
• Estudos literários: poesia e poetas
• Estudos literários: clássica, primitiva e medieval
• Estudos teatrais

Francesca Da Rimini;Alex Cooper;Dante's Text;Amilcare A. Iannucci;Vita Nuova;Christopher Wagstaff;Dante's Commedia;Giuliana Pieri;Farinata Degli Uberti;Ilaria Schiaffini;Dante's Imagination;Jane E. Everson;De Vulgari Eloquentia;Francesca Story;Maria Ann Roglieri;Dante's Journey;Nick Havely;Adelaide Ristori;Peter Armour;Ashton's Ballet;Rachel Owen;Teatro Carignano;Richard Cooper;Younger Man;Divina Commedia;Antonella Braida;Dantesca Italiana;Dante's Poem;Act III;Dante Sonata;Canto III;Flaxman's Drawings;Dante's Vita Nuova;Tommaso Salvini;Paranoid Critical Method;La Divina Commedia