Music and the Performance of Identity on Marie-Galante, French Antilles

Music and the Performance of Identity on Marie-Galante, French Antilles

Emoff, Ron

Taylor & Francis Ltd

02/2009

210

Dura

Inglês

9780754665656

15 a 20 dias

635

Descrição não disponível.
Contents: Preface: stepping out-of-the-way; Introduction: an out-of-the-way island; Tradition and official versions of history; Aime Cesaire, language, and the subsurreal; Gwo Ka drumming and claiming a sound place; Being/not being French: Kadril; Mayoleur, the festival stage, Rastafarianism; Conclusion: histories within histories; Works cited; Index.
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Gwo Ka;gwo;French Antilles;slavery;Slavery Era;era;Atm Machine;settlers;French Quadrille;official;Tendons;version;Ta Ta Ta Ta;split;Bam Bam Bam;subjectivity;Ta Ta Ta;deux;Bam Bam;fois;French Language;Du Congo;Young Man;Circuitous;La Valse;French Settlers;Man On The Road;French Gendarmes;Lived Blackness;Split Subjectivity;European Instruments;Passe Partout;Nous Ont;Annual Summer Festival;Service National