National Traditions in Nineteenth-Century Opera, Volume II
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National Traditions in Nineteenth-Century Opera, Volume II
Central and Eastern Europe
Tusa, Michael C.
Taylor & Francis Ltd
12/2010
530
Dura
Inglês
9780754629061
15 a 20 dias
1140
Descrição não disponível.
Contents: Introduction; Part I German Opera in the Early 19th Century: The arias of Marzelline: Beethoven as a composer of opera, Philip Gossett; New light(s) on Weber's Wolf's Glen scene, Anthony Newcomb; Richard Wagner and Weber's Euryanthe, Michael C. Tusa. Part II Wagner: The Ring and the conditions of interpretation: Wagner's writing, 1848 to 1852, James Treadwell; ...wie ein rother Faden: on the origins of 'leitmotif' as critical construct and musical practice, Thomas Grey; The structure of the Ring and its evolution, Robert Bailey; Dramatic recapitulation in Wagner's GA?tterdA?mmerung, William Kinderman; Wagner, 'On modulation' and Tristan, Carolyn Abbate; Death drive: Eros and Thanatos in Wagner's Tristan und Isolde, Linda Hutcheon and Michael Hutcheon; Constructing Nuremberg: typological and proleptic communities in Die Meistersinger, Arthur Groos; Amfortas's Prayer to Titurel and the role of D in Parsifal: the tonal spaces of the drama and the enharmonic C-flat/B, David Lewin; Strange love or, how we learned to stop worrying and love Wagner's Parsifal, John Deathridge. Part III Russian Opera: On Ruslan and Russianness, Marina Frolova-Walker; Mussorgsky's Boris on the stage of the Maryinsky Theater: a chronicle of the first production, Robert William Oldani; Mussorgsky's libretti on historical themes: from the two Borises to Khovanshchina, Caryl Emerson; The semiotics of symmetry, or Rimsky-Korsakov's operatic history lesson, Simon Morrison. Part IV Strauss and JanA!cek: Strauss and the pervert, Sander L. Gilman; Fin-de-siecle fantasies: Elektra and the culture of supremacism, Lawrence Kramer; JanA!cek's speech-melody theory in concept and practice, Paul Wingfield; Evasive realism: narrative construction in Dostoyevsky's and JanA!cek's 'From the House of the Dead', Geoffrey Chew and Robert Vilain; Name Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Act III;Bu T;richard;Die Meistersinger;wagner;Oper Und Drama;john;Mathilde Wesendonck;deathridge;Boris Godunov;carl;Vice Versa;dahlhaus;Vas;und;Siegfried's Death;drama;Wagner's Writings;boris;Plagal Cadences;godunov;Si Tes;Wolf's Glen Scene;Tristan Und Isolde;Youngman;Sta Ge;John Deathridge;Ludwig II;Peter Wapnewski;Gesammelte Schriften Und Dichtungen;Tristan Prelude;Continuity Draft;Wagner's Music;Wagner Criticism;Act II
Contents: Introduction; Part I German Opera in the Early 19th Century: The arias of Marzelline: Beethoven as a composer of opera, Philip Gossett; New light(s) on Weber's Wolf's Glen scene, Anthony Newcomb; Richard Wagner and Weber's Euryanthe, Michael C. Tusa. Part II Wagner: The Ring and the conditions of interpretation: Wagner's writing, 1848 to 1852, James Treadwell; ...wie ein rother Faden: on the origins of 'leitmotif' as critical construct and musical practice, Thomas Grey; The structure of the Ring and its evolution, Robert Bailey; Dramatic recapitulation in Wagner's GA?tterdA?mmerung, William Kinderman; Wagner, 'On modulation' and Tristan, Carolyn Abbate; Death drive: Eros and Thanatos in Wagner's Tristan und Isolde, Linda Hutcheon and Michael Hutcheon; Constructing Nuremberg: typological and proleptic communities in Die Meistersinger, Arthur Groos; Amfortas's Prayer to Titurel and the role of D in Parsifal: the tonal spaces of the drama and the enharmonic C-flat/B, David Lewin; Strange love or, how we learned to stop worrying and love Wagner's Parsifal, John Deathridge. Part III Russian Opera: On Ruslan and Russianness, Marina Frolova-Walker; Mussorgsky's Boris on the stage of the Maryinsky Theater: a chronicle of the first production, Robert William Oldani; Mussorgsky's libretti on historical themes: from the two Borises to Khovanshchina, Caryl Emerson; The semiotics of symmetry, or Rimsky-Korsakov's operatic history lesson, Simon Morrison. Part IV Strauss and JanA!cek: Strauss and the pervert, Sander L. Gilman; Fin-de-siecle fantasies: Elektra and the culture of supremacism, Lawrence Kramer; JanA!cek's speech-melody theory in concept and practice, Paul Wingfield; Evasive realism: narrative construction in Dostoyevsky's and JanA!cek's 'From the House of the Dead', Geoffrey Chew and Robert Vilain; Name Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Act III;Bu T;richard;Die Meistersinger;wagner;Oper Und Drama;john;Mathilde Wesendonck;deathridge;Boris Godunov;carl;Vice Versa;dahlhaus;Vas;und;Siegfried's Death;drama;Wagner's Writings;boris;Plagal Cadences;godunov;Si Tes;Wolf's Glen Scene;Tristan Und Isolde;Youngman;Sta Ge;John Deathridge;Ludwig II;Peter Wapnewski;Gesammelte Schriften Und Dichtungen;Tristan Prelude;Continuity Draft;Wagner's Music;Wagner Criticism;Act II
