Shelley and the Musico-Poetics of Romanticism

Abbreviations of Works Cited, Jessica K. Quillin; Introduction, Jessica K. Quillin; Part 1 Overture: Setting the Context for Shelley's Ideas on Music; Chapter 1 Shelley's Musical Background, Jessica K. Quillin; Chapter 2 The Role of Musical Aesthetics in Shelley's A Defence of Poetry, Jessica K. Quillin; Part 2 "When music and moonlight and feeling / Are one": Musical Metaphors and the Kinetics of Language in Shelley's Poetry; Chapter 102 Prologue, Jessica K. Quillin; Chapter 3 "Her voice was like the voice of his own soul": Music and Silence in Alastor; or The Spirit of Solitude, Jessica K. Quillin; Chapter 4 Prometheus Unbound, Part I: Language, Music, and the Visionary Imagination, Jessica K. Quillin; Part 3 Lyrical Harmony: Shelleyan Poetic Form and the Sister Arts; Chapter 103 Prologue, Jessica K. Quillin; Chapter 5 Prometheus Unbound, Part II: Correspondences Between Music, Drama, and Poetic Form in Shelley's Lyrical Drama, Jessica K. Quillin; Chapter 6 "[Are we not formed as notes of music are": Musical Aesthetics, Love, and Politics in Shelley's Lyrics, Jessica K. Quillin Appendix, Jessica K. Quillin;

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• Artes: temas gerais
• Música romântica (desde ~1830 até ~1900)
• Estudos literários: c 1800 a c 1900

Internal Mimesis;shelleys;Corps De Ballet;poetry;Aeolian Harp;prometheus;Prometheus Unbound;unbound;Perpetual Orphic Song;kent;Shelley's Lyrical Drama;state;Act Iii;university;Aeolian Lyre;press;Young Lady's Education;percy;Claire's Voice;bysshe;Shelley's Alastor;Shelley's works;Shelley's Prometheus Unbound;music loveliness;Harmonious Recurrence;Romantic poets;Harriet Grove;sonorous works;Shelley's Poetry;Romanticism;Arab Maiden;Shelley's Lyrics;Dreamt Poet;Indian Serenade;Shelley's Conception;Musical Imagery;Strange Symphony;Shelley's Musical;Judith Chernaik;Wind Harp