Opera Remade, 1700-1750
-15%
portes grátis
Opera Remade, 1700-1750
Dill, Charles
Taylor & Francis Ltd
11/2010
530
Dura
Inglês
9780754629009
15 a 20 dias
1260
Descrição não disponível.
Contents: Introduction; Part I Librettos: Why early opera is Roman not Greek, Robert C. Ketterer; Staging an opera: letters from the Cesarian poet, Roger Savage; Dramatic dualities: opera pairs from Minato to Metastasio, Reinhard Strohm; Metastasio on the Spanish stage: operatic adaptations in the public theatres of Madrid in the 1730s, Jose-MA!ximo Leza; 'Le theActre ne change qu'A la troisieme scene': the hand of the author and unity of place in Act V of Hippolyte et Aricie, Geoffrey Burgess; The Beggar's Opera and opera-comique en vaudevilles, Daniel Heartz; 'His spirit is in action seen': Milton, Mrs Clive and the simulacra of the pastoral in Comus, Berta Joncus. Part II Gender: Reforming Achilles: gender, opera seria, and the rhetoric of the enlightened hero, Wendy Heller; Female operatic cross-dressing: Bernado Saddumene's libretto for Leonardo Vinci's Li zite 'n galera, Nina Treadwell; Of women, sex, and folly: opera under the old regime, Georgia Cowart; The castrato as history, Katherine Bergeron. Part III Theatres and Performing: 'An infinity of factions': opera in 18th-century Britain and the undoing of society, Suzanne Aspden; Ignaz Holzbauer and the origins of German opera in Vienna, Lawrence Bennett; Heidegger and the management of the Haymarket Opera, 1713-17, Judith Milhous and Robert D. Hume; Farinelli in Madrid: opera, politics, and the War of Jenkins' Ear, Thomas McGeary; An 18th-century singer's commission of 'baggage' arias, Daniel E. Freeman; Staging and its dramatic effect in French baroque opera: evidence from prompt notes, Antonia L. Banducci; The Paris Opera chorus during the time of Rameau, Mary Cyr; What recitatives owe to the airs: a look at the dialogue scene, Act 1 Scene 2 of Rameau's Hippolyte et Aricie - version with airs, Cynthia Verba. Part IV Handel: Irony and borrowing in Handel's 'Agrippina', John E. Sawyer; Classical history and Handel's 'Alessandro', Richard G. King; Dejanira and the physicians: aspects of hysteria i
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;italian;Della;seria;Italian Opera;ellen;Opera Seria;rosand;Baroque;didone;Follow;abbandonata;Act Iii;american;Held;musicological;Winton Dean;society;Vice Versa;antonio;Royale De Musique;Antonio Vivaldi;Haymarket;Recitative Scene;Attilio Regolo;Vivaldi;Balcony;Pietro;Tito Manlio;Drury Lane;British Library Board;Major Aria;Da Capo;Mad Scene;Alessandro Scarlatti
Contents: Introduction; Part I Librettos: Why early opera is Roman not Greek, Robert C. Ketterer; Staging an opera: letters from the Cesarian poet, Roger Savage; Dramatic dualities: opera pairs from Minato to Metastasio, Reinhard Strohm; Metastasio on the Spanish stage: operatic adaptations in the public theatres of Madrid in the 1730s, Jose-MA!ximo Leza; 'Le theActre ne change qu'A la troisieme scene': the hand of the author and unity of place in Act V of Hippolyte et Aricie, Geoffrey Burgess; The Beggar's Opera and opera-comique en vaudevilles, Daniel Heartz; 'His spirit is in action seen': Milton, Mrs Clive and the simulacra of the pastoral in Comus, Berta Joncus. Part II Gender: Reforming Achilles: gender, opera seria, and the rhetoric of the enlightened hero, Wendy Heller; Female operatic cross-dressing: Bernado Saddumene's libretto for Leonardo Vinci's Li zite 'n galera, Nina Treadwell; Of women, sex, and folly: opera under the old regime, Georgia Cowart; The castrato as history, Katherine Bergeron. Part III Theatres and Performing: 'An infinity of factions': opera in 18th-century Britain and the undoing of society, Suzanne Aspden; Ignaz Holzbauer and the origins of German opera in Vienna, Lawrence Bennett; Heidegger and the management of the Haymarket Opera, 1713-17, Judith Milhous and Robert D. Hume; Farinelli in Madrid: opera, politics, and the War of Jenkins' Ear, Thomas McGeary; An 18th-century singer's commission of 'baggage' arias, Daniel E. Freeman; Staging and its dramatic effect in French baroque opera: evidence from prompt notes, Antonia L. Banducci; The Paris Opera chorus during the time of Rameau, Mary Cyr; What recitatives owe to the airs: a look at the dialogue scene, Act 1 Scene 2 of Rameau's Hippolyte et Aricie - version with airs, Cynthia Verba. Part IV Handel: Irony and borrowing in Handel's 'Agrippina', John E. Sawyer; Classical history and Handel's 'Alessandro', Richard G. King; Dejanira and the physicians: aspects of hysteria i
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Man;italian;Della;seria;Italian Opera;ellen;Opera Seria;rosand;Baroque;didone;Follow;abbandonata;Act Iii;american;Held;musicological;Winton Dean;society;Vice Versa;antonio;Royale De Musique;Antonio Vivaldi;Haymarket;Recitative Scene;Attilio Regolo;Vivaldi;Balcony;Pietro;Tito Manlio;Drury Lane;British Library Board;Major Aria;Da Capo;Mad Scene;Alessandro Scarlatti
