Opera as Soundtrack

Contents: Prologue: tracing opera as soundtrack; Opera as geno-song; Opera in cinematic death; Opera in Woody Allen's Match Point; Is cinema's anxiety opera's envy?; Film divas: the problem and the power of singing women; Behind the discourse on the opera-cinema encounter: film, music criticism and the 'great divide' between modernism and postmodernism; Epilogue: an ethnographic postscript; Select bibliography; Index.

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• Ópera
• Filmes, cinema

excerpts;operatic;voice;renata;salecl;film;divas;diegetic;performance;chabrols;Young Man;Donizetti's Lucia Di Lammermoor;Una Furtiva Lagrima;La Belle;Nondiegetic Music;Opera Excerpts;Diva Heroines;Les Enfants Terribles;Film Divas;Casta Diva;Film Music;Great Divide;Chabrol's Film;Film Music Criticism;Embodied Voice;Naboth's Vineyard;Operatic Voice;Mozart;Wolfgang Amadeus Mozart;Compilation Score;Disney's Silly Symphony;Verdi's Il Trovatore;Stravinsky's Oedipus Rex;Beniamino Gigli;Historiographic Metafiction